Updated: Jul 5, 2019
by Derek May:
Yin: Deadpool 2
This is a movie franchise that shouldn’t be. No one outside of the fans wanted it - for years no studio exec would touch it. Who could blame them? I mean, superheroes don’t use their cunning linguistics for hard-R cursing (see what I did there); they don’t hack, slash, chop, and aerate enemies with orgasmic glee; and because of that, kids that go back to the theatre over and over to provide studios with the revenue needed to cover these films’ ungodly budgets are gonna be either sitting at home pouting they’re not allowed to go or sneaking in without paying. It was a no-brainer for TPTB - until the test footage leaked.
The Internet went ballistic. The movie was greenlit. The release was epic. The grosses were record-breaking. The movie was amaze-balls. And a franchise was born.
But then there was a new hurdle to overcome—sequelitis—a debilitating affliction even Iron Man, Thor, and the entire Avengers team couldn’t escape in their sophomore efforts. So how did DP do in deux?
While many lamented the loss of original film director Tim Miller, his absence goes mostly unmissed. JOHN WICK and ATOMIC BLONDE director, David Leitch, slipped into the chair as effortlessly as a greased-up Ryan Reynolds into red spandex. Leitch continues to cement his status as an elite filmmaker, bringing his keen visual eye and lifetime of stunt knowledge to deliver spectacular, visceral action sequences as well as delicate, emotional drama. It helps to have original writing partners Rhett Reese and Paul Wernick behind him, not to mention Reynolds himself, who adds a writing credit because he apparently doesn’t do enough for the franchise already.
But let’s talk turkey. Mr. Pool made good on his promise to bring reluctant-yet-frequent 'teammate,' Cable, into the sequel.
Josh Brolin pulls MCU double duty here (hardly a unique occurrence) after having killed it—figuratively and literally— as Thanos. He continues his spree here as the hard-nosed cybernetic mutant from the future. In the comics, Cable is surly, abrasive, tough-as-nails, yet somehow (especially when around ‘Pool) able to deliver timely bon mots and zingers with ease. All of which are highlighted in Brolin’s take.